Jeffrey Zeldman’s article, The vanishing personal site, brings to light what many of us have been wondering about in the back of our heads for a while now. Social networks that provide features often found in a personal website captured our fancies and stretched our virtual personas in all directions. That goes for both the knowledgeable and not so knowledgeable in web development.
The Question
It’s not really a bad thing, which Zeldman also stresses. The question is, now that you’ve scattered yourself all over the place, how are you going to put yourself back together?
Not that you need to; I’m sure not everyone would be interested in painstakingly picking up the pieces one by one and gluing them together. That’s why FriendFeed became an instant hit. But if you ask me, using another social network to put them all together does not feel good. Not one bit. I’d consider it another convenient (even organic) way to spread my own content. But that’s it. I still dream of the day I manage to tastefully put my stuff together in one place. Like these websites:
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Will Harris shares some insight on working with designers. We often read about tips for designers by designers, but not tips for clients by clients. Still, both parties should read it (and print out the PDF, too!).
Designers (and professionals in related fields) will get great gems of advice that will make them go “oh, thank goodness he said that!” because it’s so common for clients to just sit there and say “I don’t like that” without giving any real reason behind their preference. A design project (again, this can apply to other fields) is the responsibility of both the designer and the client. They have to work together.
But let me digress a little bit. One thing that struck me while reading the article was Will’s first suggestion:
Choose your designer carefully. Look at their previous work. The best designers don’t have a “signature look.” Their sites look as different as their clients do. Awards don’t necessarily mean the design worked for the client. If you’re not sure about a design, go to sites they designed and ask their clients.
Do you agree that designers with more diverse-looking projects are better than those who maintain a signature look? On the one hand, it immediately leads a client into thinking that the designer has a wider skill set and can more easily meet their requirements especially if they’re fickle.
On the other hand, clients opt for designers with a consistent style exactly because they want to emulate that look on their own projects.
I think that in general, professionals start out not knowing exactly what they want to do, and try everything out first. As they grow older they start to specialize. As time passes, you’re supposed to be more sure of yourself and should be able to hold a distinguishable reputation among your peers. This can be said not only about the styles you create, but the skills you specialize in, the clientele you work with, and so on. I wouldn’t say this is the only way to go, but it seems to be the trend.
Aside from creating brilliantly art-directed articles that push the limits in with the latest HTML and CSS features, David DeSandro is redefining at least two classic site features at the same time with his Portfolio page:
The portfolio format.
Most portfolios consist of image thumbnails with either short or detailed descriptions about each project undertaken. DeSandro’s portfolio, on the other hand, contains full-width, full-height screenshots with guided markings explaining the how and why of his work, not just the what. Not only can you admire and drool over the designs, but you can learn from them as well.
The HTML image map.
The concept of image maps is sound but its execution isn’t so exciting: you don’t exactly know where to click and if you do, you don’t know what you’re clicking on. DeSandro created annotations that are intuitive and easy to navigate.
Does your portfolio need a refresh?
Your portfolio is your resume. Presenting your work and communicating your design view is critical to how others perceive you and shouldn’t be an afterthought. David’s portfolio isn’t so complex as it is well thought out. The designs are in full view; the details are straightforward. No distractions, no hype. Reexamine your portfolio page and see if yours is the same.
Dribbble is a finely crafted community for designers, by designers. It’s invite-only in order to maintain high quality work on the site, but that doesn’t mean you can’t browse around for inspiration. Give it enough time to fine-tune the tagging and search features (color search is already there; UI patterns, textures, etc. would be great) and we may have the most useful, A-grade design reference out there from people who know their stuff.
There are several things that set it apart from generic portfolio and gallery sites, as it is also dubbed the “Twitter for designers”. From the tagline “what are you working on?” to its system of “rebounds” (basically a response to a “shot”) to uploads of 400 pixels or less, Dribbble is focused on brevity and the right now even when they could have entertained the whole spectrum.
Of course there’s the basketball metaphor working all around too, which when expanded even further can create some interesting activities and interactions for the community: think games, collaborations, meetups, leagues, merits. Think social games like Foursquare and BarStar, only more productive.
People have been complaining about the quality of a lot of things in the design community lately, whether it’s resource articles or the actual interactions within the community, and I see Dribbble as a partial solution to that.
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